The label printing is possible using the Report builder and it is available in SSRS. To get opened the Report builder open SSRS report server and open Report builder Link. When you open the Report builder it will ask to Report Templates (Tablix, Blank etc.) as like crystal report. From the list select the Blank template and start to work as normal BIDS environment.įirst set the Report Layout and size of the report. It’s good to set all report properties (different margins) to print report appropriate on paper.Īfter setting margins for report set the columns for the Label printing report. It’s obvious thing for label printing to set columns per page.

When you set the columns, you will get the view of report as below (3 column view) i.e If you want to print 3 label on single row then set 3 columns. Hope, all settings are completed for the Label printing report.

(Obvious to print name of person, Address, City, Phone etc.) Now, its time to design or place the field which you want to print in label. To do that follow the normal data source and dataset creation steps.ġ. Create data source or select existing shared source.Ģ. Write query or use Store procedure to get result set from the Database. You can see the Created data set in the left pane (Report data). At last you report will look like as image below: Just drag and drop the Fields which you want. You can preview this report using the Run button on Top-Left corner and select the print layout to see actual layout of Label printing. That’s it for now, hope you leaned something new from me. Please revert back to me if you have any queries.Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first-century Shanghai-based art and design-from state-sponsored exhibitions to fashionable cultural complexes to cutting-edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities, one that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research, including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party–sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang and artworks by Liu Jianhua, Yang Fudong, Gu Wenda, and others reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus its consumerist present. The book focuses on Shanghai-based art and design from the 1990s–2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao-era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture. This book can be described as an 'oblique memoir'. The central underlying and repeated themes of the book are exile and displacement lives (and deaths) during the Third Reich mother-daughter and sibling relationships the generational transmission of trauma and experience transatlantic reflections and the struggle for creative expression.

Jingpai label expert